Sue Greenseth - Neuland & Embossing - Feb 4, 11 & 25, 2024
This workshop will explore the chunky and versatile hand of Neuland. By varying the x-height, customizing crossbars, using slight pen manipulations, adding outlines, in-lines, and embossing, an artist…
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This workshop will explore the chunky and versatile hand of Neuland. By varying the x-height, customizing crossbars, using slight pen manipulations, adding outlines, in-lines, and embossing, an artist can easily personalize this hand to make it applicable for almost any purpose. A traditional alphabet, a more contemporary variation, ways to modify this hand, and embossing will be covered.
Neuland & Embossing
Sue Greenseth, Hosted By The Gentle Penman
Live (Also recorded for later viewing)
4, 11 & 25 February 2024 (Sunday)
00:00 am – 02:00 am (Hong Kong Time)
Class Cost : HK $ 1,000.00 or USD 130.00
Skill Level : All Skills Levels
Registration Link : https://www.thegentlepenman.com/neulandandembossing
Supply List:
Neuland
- 6mm Pilot Parallel pen, inked and ready to go (FP67)
- Paper: your favorite bond paper for calligraphy (P69, P70)
- Pencil, eraser (PL38, PL21, E09, E13)
- Fine tipped marker, such as a Micron 01 (M17)
(Optional)
- Coffee stir-stick or bass wood stick (6mm to 15mm)
- Automatic or Horizon pens in a variety of sizes (N27, N170)
Embossing
- Pencil, eraser (PL38, PL21, E09, E13)
- Tracing paper (P112, P43)
- Piece of manila file folder
- Vinyl cutting mat or something to cut on (S504)
- X-acto knife with a new #11 blade (S417)
- Tape (any kind) (S412, S931)
- Light pad or light box (S1013, S939). In a pinch, you can hold your work up to a window or use Saral transfer paper (S612)
- Glue - this can be white glue and a little brush for application, or a glue stick (S931, S1663)
- Embossing styluses – these usually come as a set of three to five of varying sizes. (S478, S1038)
- A white piece of paper to emboss. Suggested Papers: Arches 90 lb. hot press (PS42), Rives BFK (PS91), Canson Mi Teintes (PS61), Arches MBM (PS104)
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Bone Script & Neuland by Carol DuBosch
Carol DuBosch
