Mike Gold - The Art of Breaking the Rules - Jan 11, 18, 25, 2025
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The goal is to look beyond the traditional, formal calligraphic model to ways of lettering that may be more suitable for contemporary art. We examine the rules that guide formal hands to understand ho…
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The goal is to look beyond the traditional, formal calligraphic model to ways of lettering that may be more suitable for contemporary art. We examine the rules that guide formal hands to understand how and why to break those rules. Through a series of exercises, students practice breaking the rules to create non-traditional, informal, and even abstract letterforms and compositions. We practice with a variety of tools, writing surfaces and media. Students will come away with a better understanding of how to critique contemporary lettering, create it, and design with it. Important layout and design tips will be included throughout the workshop. Have you been reticent about trying contemporary calligraphy? We hope you will open up to this opportunity to expand your artistic horizons.
Mike Gold, Hosted By The Genesee Valley Calligraphy Guild
Live (Also recorded for later viewing)
1/11/2025, 1/18/2025, 1/25/2025
10:00 AM - 1:00 PM Eastern
Class Cost : $135 members/$150 non-members
Skill Level: Intermediate
Registration Contact Email: ellenbrannin@gmail.com
Supply List:
-P100-11x14. Strathmore 400 Series Drawing
-I70-6 oz. Moon Palace Sumi Ink
-I08. Higgins Eternal
-PS01.Arches Text Wove
-P2050-Cold Press. Arches WC Pad 140#
OPTIONAL:
-Walnut ink (I145, S449)
-Some favorite gouaches (including black and white) (HG749, WNG1, SG27)
-A few Dr. Martin’s Bombay waterproof India inks (any color inks with eye dropper top will also do, even if acrylic inks) (I109, I13, I2107)
-Broad edge black felt pen (such as Zig Calligraphy Dual Point Marker 2.0/5.0) (M06)
-Brush pen (I like the Pentel Color Brush) or pointed brush (I like the Winsor Newton Series 7 #3) (FP57, BR28)
-Ruling pen, cola pen, other unusual writing tools (N155, N148, N22)
-Speedball C0 through C5 nib pens; stiff pointed pens (like Nikko G); favorite Mitchell or Brause nibs (N09, N113, N04)
-Automatic or Parallel pens (1/2” to 1”) (N27, FP67)
-Mixing brush (BR43)
-Paper Towels
Optional: (Only if you have, no need to purchase before the workshop)
-Walnut ink (I145, S449)
-Some favorite gouaches (including black and white) (HG749, WNG1, SG27)
-A few Dr. Martin’s Bombay waterproof India inks (any color inks with eye dropper top will also do, even if acrylic inks) (I109, I13, I2107)
-Broad edge black felt pen (such as Zig Calligraphy Dual Point Marker 2.0/5.0) (M06)
-Brush pen (I like the Pentel Color Brush) or pointed brush (I like the Winsor Newton Series 7 #3) (FP57, BR28)
-Ruling pen, cola pen, other unusual writing tools (N155, N148, N22)
-Speedball C0 through C5 nib pens; stiff pointed pens (like Nikko G); favorite Mitchell or Brause nibs (N09, N113, N04)
-Automatic or Parallel pens (1/2” to 1”) (N27, FP67)
-Mixing brush (BR43)
-Paper Towels
Optional: (Only if you have, no need to purchase before the workshop)
-A couple sheets of 11x14” black Artagain or Canson Mi-Teintes paper (P58, PS61)
-Tracing Paper (P112)
-Quink ink (I like Blue and Blue-Black)
-Methyl Cellulose (Lineco 1.5 oz.) (Dry, unmixed)
-A few favorite acrylic paints and mixing brushes for them. (1/2 to 2 in) (S1022, I28)
-Prismacolor pencils (assorted colors); Watercolor pencils (I like Derwent Inktense) (PL05, PL32)
-Tracing Paper (P112)
-Quink ink (I like Blue and Blue-Black)
-Methyl Cellulose (Lineco 1.5 oz.) (Dry, unmixed)
-A few favorite acrylic paints and mixing brushes for them. (1/2 to 2 in) (S1022, I28)
-Prismacolor pencils (assorted colors); Watercolor pencils (I like Derwent Inktense) (PL05, PL32)
Shop supplies for this class: