Anne Davnes - The Glass Line: Cursive Crush, Open-Shaded Script, Florals, and You - June 12 - July 31
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The Glass Line: Cursive Crush, Open-Shaded Script, Florals, & You - Wed AM SMMR/FALL ’24 • All Levels • Live/Recorded Online 8-week Course via Google Meet $224-280 ** Wednesday mor…
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The Glass Line: Cursive Crush, Open-Shaded Script, Florals, & You - Wed AM SMMR/FALL ’24 • All Levels • Live/Recorded Online 8-week Course via Google Meet $224-280 ** Wednesday mornings from 10-12:30 Eastern:::: Jun 12-Jul 31 ??UPDATED EXEMPLARS V4.0?? ⌛️**Early Bird price Through Friday, May 24 Cursive Crush, Open-Shaded Script, Florals. Hold the energy of transformation working wet into wet with glass dip pens and transparent inks. Week 1-4: Cursive Crush, a child of Spencerian calligraphy, focuses on syncing the flow and rhythm of the body, spirit, and mind with the results on our page. We break down each letterform and connection into 2 categories - masculine and feminine strokes. This distinction will improve your cursive handwriting and enrich your enjoyment of this classic, versatile, and useful hand. . Week 5-8: Open-Shaded Script constructs letterforms by describing the swell or shade made by a pointed pen with at least two contour mono line strokes, drawn in the same stroke sequence seen in traditional scripts (Round Hand, Copperplate, etc.) The second stroke of a shade or extension of a hairline acts as a mentor stroke to the previous and is meant to offer gentle correction to curves (if needed) and to suggest the growth of a flourish, all with an open heart and gentle hand. . Here's the class schedule:
Week 1 • Wed. Jun 12, 2024 10-12:30am Eastern
Week 2 • Wed. Jun 19, 2024 10-12:30am Eastern
Week 3 • Wed. Jun 26, 2024 10-12:30am Eastern
Week 4 • Wed. Jul 03, 2024 10-12:30am Eastern
Week 5 • Wed. Jul 10, 2024 10-12:30am Eastern
Week 6 • Wed. Jul 17, 2024 10-12:30am Eastern
Week 7 • Wed. Jul 24, 2024 10-12:30am Eastern
Week 8 • Wed. Jul 31, 2024 10-12:30am Eastern
The Glass Line: Cursive Crush, Open-Shaded Script, Florals, and You
Anne Davnes
Week 1 • Wed. Jun 12, 2024 10-12:30am Eastern
Week 2 • Wed. Jun 19, 2024 10-12:30am Eastern
Week 3 • Wed. Jun 26, 2024 10-12:30am Eastern
Week 4 • Wed. Jul 03, 2024 10-12:30am Eastern
Week 5 • Wed. Jul 10, 2024 10-12:30am Eastern
Week 6 • Wed. Jul 17, 2024 10-12:30am Eastern
Week 7 • Wed. Jul 24, 2024 10-12:30am Eastern
Week 8 • Wed. Jul 31, 2024 10-12:30am Eastern
The Glass Line: Cursive Crush, Open-Shaded Script, Florals, and You
Anne Davnes
Live (Also recorded for later viewing)
06/12/2024 - 07/31/2024
10:00 AM - 12:30 PM Eastern
Class Cost : $224.00-$280.00 USD
All Skill Levels
Registration Contact Email: anne@annedavnes.com
Supply List:
S1695. Collapsible Water Pot
I2104. Ferris Wheel Press Ink Charger Set
I1000. J. Herbin Scented Ink
H2001. J. Herbin Glass Pen, QTY 2
E09. Kneaded Rubber Eraser, QTY 2
Paper for practice:
• Bienfang Graphics 360, 9’’x12’’, 100% Rag Marker Pad OR Borden & Riley 9’’x12’’ 100s Smooth Cotton Comp Pad Paper for envelopes and final projects: Pick at least one or ALL if you’re wanting to try a variety. (P41, P09-100)
• Fave is Crane’s Lettra Pearl White 32 lb writing paper by Crane & Co. Comes in reams of 250 in 8.5 x 11. Soft and buttery - it is great for markers, paints, fountain pens, BUT not so great with pointed pen.
• Strathmore Calligraphy Writing Paper Pad 8.5 x 11. (P76)
• Southworth Resumé paper by Neenah. Comes in white or ivory and has two weights: 24lb and 32 lb. I’ve used both for folding letters/envelopes. Works will with Pointed pen and everything else.
Pens:
Two of my favorites are a fine-nib fountain pen and a glass dip pen. With both, you enjoy watching wet inkpool and dry at the end of a stroke. It can give your strokes a depth hard to achieve with markers. You don’t need an expensive fountain pen.
• Lamy Safari (not available at JNB) Get a fine or medium. I’d also recommend purchasing a converter for it so you can fill the pen with the colors of your choice. I highly recommend purchasing bottles of fountain pen ink as opposed to pre-loaded cartridges.
• Prera by Pilot. Get a fine or medium. These have a lovely feel to them with the cap snapping into place and come in fun colors.
Glass dip pens Glass pens come from all over the world, and they CAME from all over the world - Europe, Asia... in all kinds of crazy glass shapes from tip to end. They can be fragile, so make sure to protect the tip (and handle, if it’s also made of glass.) I use a plastic inkwell and water container when using a glass pen/nib. My penrest is a washcloth folded in half, then thirds. This keeps my pen from rolling off the table, and it keeps it cradled on a pillowy surface. Any internet search will give you a variety of glass dip pens. I have a few that have a glass nib with a plastic or wooden body. These come with the option of replacing the nibs that screw in. They also come with a threaded cap. I’ve found them in other places online. You can also get a full body glass pen - the entire piece is made of one hand-blown piece of glass. My current faves are by J.Herbin (Herbin Round Glass Dip Pens). They are well balanced and grogeous, with several different places to place your fingers and adjust your grip. The advantage of a glass dip pen is that you have the option to mix your inks, double dip, and even redip in water to make your ink color more transparent. Very much like painting, I have recently fallen deeply in love with glass dip pens and my variety of ink wells in a warm blue, cool blue, warm green, deep yellow ochre or warm gold, and red or violet. With a variety of inks on hand, you can really have fun with mixing. My preferred paper for glass nibs is Crane’s Lettra in writing weight. Its 100% cotton sheet is soft, absorbant, and won’t bleed the inks. Finding the right paper/glass combo is really important for a pleasureable writing experience. This is also an individual choice - so be prepared to experiement and find your sweet spot - what works for you. Also remember that every glass nib is handmade by a glassblower at the mouth of a glass oven... so each nib, all over the world is unique. After they are blown, they’re sharpened with sandpaper and ground evenly to a point that connects to the deep ridges (also called capillaries) where the ink falls and flows down to the surface of your paper, using gravity to pull ink to the point. Because glass nibs/pens are handmade, they can come with imperfections. If that happens to you, SAVE YOUR RECEIPT AND GET A REPLACEMENT. I’ve seen glass pen makers do their own filing and repair on chipped nibs or some with tiny burs... it’s a meticulous process to grind to an even point and connect to all the capillaries, too. Seriously - I don’t even bother. I’ve tried and failed to grind my own nibs, but if you’re determined to try, get on YouTube and watch vids of penmakers reshaping and grinding their nibs. PLEASE. When you’re purchasing your glass pens, get at least two to experiment with. They are easier to use than a metal dip pen nib, but they are still uniquely mysterious. So give using these magical writing tools some time with your hands and a variety of paper. See what works for you. SO, to find a good variety of colors, look for a selection of colors that you’ll enjoy mixing. Start with a red, blue, yellow, and black, and see how much fun it is to make new colors as you mix them. Remember to put these colors into smaller containers so that you’re not contaminating the original larger bottle. Look to the next page to see the colors I’m loving now. For regular writing in one fountain pen with one ink, my faves are transparent grey inks: MontBlanc/Oyster Grey and Kiri-Same/Iroshizuku. These come in bottles and you’ll have to make sure you get a converter for your fountain pen instead of a box of cartridges, so you can fill your pen with bottled ink (more economical but a little more high-maintenance.) (H2001, H2002)
Misc:
• Mechanical Pencil (for drawing guides) (PL21)
• SOFT erasable pencil for light sketching (PL38)
• Eraser (white) (E13)
• Eraser (2 kneaded) (E09)
• PLASTIC ruler (S871, S798)
• PLASTIC water container (S1005)
• Washcloth to clean pen and as a penrest
• Scissors (S1665, S1662)
• Decorative Washi Tape (for envelopes) (A100, A101)
• Bone Folder (for envelopes) (S308, S1657)
• Postage Stamps (for envelopes)
• Bienfang Graphics 360, 9’’x12’’, 100% Rag Marker Pad OR Borden & Riley 9’’x12’’ 100s Smooth Cotton Comp Pad Paper for envelopes and final projects: Pick at least one or ALL if you’re wanting to try a variety. (P41, P09-100)
• Fave is Crane’s Lettra Pearl White 32 lb writing paper by Crane & Co. Comes in reams of 250 in 8.5 x 11. Soft and buttery - it is great for markers, paints, fountain pens, BUT not so great with pointed pen.
• Strathmore Calligraphy Writing Paper Pad 8.5 x 11. (P76)
• Southworth Resumé paper by Neenah. Comes in white or ivory and has two weights: 24lb and 32 lb. I’ve used both for folding letters/envelopes. Works will with Pointed pen and everything else.
Pens:
Two of my favorites are a fine-nib fountain pen and a glass dip pen. With both, you enjoy watching wet inkpool and dry at the end of a stroke. It can give your strokes a depth hard to achieve with markers. You don’t need an expensive fountain pen.
• Lamy Safari (not available at JNB) Get a fine or medium. I’d also recommend purchasing a converter for it so you can fill the pen with the colors of your choice. I highly recommend purchasing bottles of fountain pen ink as opposed to pre-loaded cartridges.
• Prera by Pilot. Get a fine or medium. These have a lovely feel to them with the cap snapping into place and come in fun colors.
Glass dip pens Glass pens come from all over the world, and they CAME from all over the world - Europe, Asia... in all kinds of crazy glass shapes from tip to end. They can be fragile, so make sure to protect the tip (and handle, if it’s also made of glass.) I use a plastic inkwell and water container when using a glass pen/nib. My penrest is a washcloth folded in half, then thirds. This keeps my pen from rolling off the table, and it keeps it cradled on a pillowy surface. Any internet search will give you a variety of glass dip pens. I have a few that have a glass nib with a plastic or wooden body. These come with the option of replacing the nibs that screw in. They also come with a threaded cap. I’ve found them in other places online. You can also get a full body glass pen - the entire piece is made of one hand-blown piece of glass. My current faves are by J.Herbin (Herbin Round Glass Dip Pens). They are well balanced and grogeous, with several different places to place your fingers and adjust your grip. The advantage of a glass dip pen is that you have the option to mix your inks, double dip, and even redip in water to make your ink color more transparent. Very much like painting, I have recently fallen deeply in love with glass dip pens and my variety of ink wells in a warm blue, cool blue, warm green, deep yellow ochre or warm gold, and red or violet. With a variety of inks on hand, you can really have fun with mixing. My preferred paper for glass nibs is Crane’s Lettra in writing weight. Its 100% cotton sheet is soft, absorbant, and won’t bleed the inks. Finding the right paper/glass combo is really important for a pleasureable writing experience. This is also an individual choice - so be prepared to experiement and find your sweet spot - what works for you. Also remember that every glass nib is handmade by a glassblower at the mouth of a glass oven... so each nib, all over the world is unique. After they are blown, they’re sharpened with sandpaper and ground evenly to a point that connects to the deep ridges (also called capillaries) where the ink falls and flows down to the surface of your paper, using gravity to pull ink to the point. Because glass nibs/pens are handmade, they can come with imperfections. If that happens to you, SAVE YOUR RECEIPT AND GET A REPLACEMENT. I’ve seen glass pen makers do their own filing and repair on chipped nibs or some with tiny burs... it’s a meticulous process to grind to an even point and connect to all the capillaries, too. Seriously - I don’t even bother. I’ve tried and failed to grind my own nibs, but if you’re determined to try, get on YouTube and watch vids of penmakers reshaping and grinding their nibs. PLEASE. When you’re purchasing your glass pens, get at least two to experiment with. They are easier to use than a metal dip pen nib, but they are still uniquely mysterious. So give using these magical writing tools some time with your hands and a variety of paper. See what works for you. SO, to find a good variety of colors, look for a selection of colors that you’ll enjoy mixing. Start with a red, blue, yellow, and black, and see how much fun it is to make new colors as you mix them. Remember to put these colors into smaller containers so that you’re not contaminating the original larger bottle. Look to the next page to see the colors I’m loving now. For regular writing in one fountain pen with one ink, my faves are transparent grey inks: MontBlanc/Oyster Grey and Kiri-Same/Iroshizuku. These come in bottles and you’ll have to make sure you get a converter for your fountain pen instead of a box of cartridges, so you can fill your pen with bottled ink (more economical but a little more high-maintenance.) (H2001, H2002)
Misc:
• Mechanical Pencil (for drawing guides) (PL21)
• SOFT erasable pencil for light sketching (PL38)
• Eraser (white) (E13)
• Eraser (2 kneaded) (E09)
• PLASTIC ruler (S871, S798)
• PLASTIC water container (S1005)
• Washcloth to clean pen and as a penrest
• Scissors (S1665, S1662)
• Decorative Washi Tape (for envelopes) (A100, A101)
• Bone Folder (for envelopes) (S308, S1657)
• Postage Stamps (for envelopes)
Shop supplies for this class: