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Scripsit

2024 Scripsit Vol. 46, No. 1: Calligraphy and Graffiti

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B999
  • 2024 Scripsit Vol. 46, No. 1: Calligraphy and Graffiti
  • 2024 Scripsit Vol. 46, No. 1: Calligraphy and Graffiti
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B999. 2024 Scripsit Vol. 46, No. 1: Calligraphy and Graffiti. Paperback; 33 pages; 8.25" x 10.75". "The more I talk about this issue with lettering enthusiasts, the more I find only polarized reaction…

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B999. 2024 Scripsit Vol. 46, No. 1: Calligraphy and Graffiti. Paperback; 33 pages; 8.25" x 10.75".

"The more I talk about this issue with lettering enthusiasts, the more I find only polarized reactions; either hate for an artform which is usually illegal, or love for a lettering practice which is vibrant and new . . . But I invite readers to set aside their preconceptions and look at the letters in this issue." ––Joanna Homrighausen, Introduction.

This issue delves into an age-old controversy: Can vandalism be a masterpiece? The graffiti takeover of Oceanwide Plaza, a deserted 55-story skyscraper, brought mixed opinions among Los Angeles residents. One resident told the Los Angeles Times, "If it's done without permission, it's vandalism - even if Michelangelo did it." Meanwhile, Michael Delahaut, a 54-year-old long-time participant in the L.A. graffiti scene, marveled at the scale, stating, "It would've taken hundreds of writers, tens of thousands of cans. It's amazing. I've witnessed many graffiti moments, but this might be the biggest."

The discussion raises questions about urban gentrification and the role of developers who abandon projects. It challenges readers to consider who the real vandals are—the developers leaving behind empty buildings or the residents transforming them with color and creativity.

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